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Moreno Bucci
I DISEGNI DEL TEATRO DEL MAGGIO MUSICALE FIORENTINO
Inventario I. (1933-1943)

This volume begins the Inventory of Drawings from the Teatro del Maggio Musicale Fiorentino’s Historical Archive, belonging to the sketches, scene models, costume illustrations and stage equipment drawings category. For each piece in the collection, the following information is provided: inventory number, name of the opera or ballet or theatrical piece, choreographer or composer or writer, performance dates, acts, characters, technique, measures, signatures, dates, autograph annotations and other period notes.
Fondazione Carlo Marchi - Studi, vol. 26
2010, cm. 22,5 × 30, xvi-470 pp. con 1759 figg. n.t. a colori.
€ 110,00 [ISBN 978 88 222 6009 3]
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D.R. Edward Wright
IL «DE PICTURA» DI LEON BATTISTA ALBERTI E I SUOI LETTORI (1435 -1600)

The author proposes a reading of Alberti’s De pictura through the analysis of the Florentine cultural context of the 1430s in an attempt to verify the purely educational purpose of the treaty. The investigation starts from the ancient sources regarded as a model of style and content, and extends up to proposing a hypothesis on the category of readers which the work intended to address. (Italian text)
Ingenium, vol. 13
2010, cm. 17 × 24, viii-266 pp con 6 tavv f.t. Testo italiano.
€ 26,00 [ISBN 978 88 222 5949 3]
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Giuseppe Squillace
IL PROFUMO NEL MONDO ANTICO
Con la prima traduzione italiana del «Sugli odori» di Teofrasto
Prefazione di Lorenzo Villoresi

The volume contains the Italian translation of Perì Osmòn by Theophrastus alongside the original Greek text, as well as a collection of passages by ancient authors on the theme of perfumes: from Herodotus to Xenophon, from Pliny the Elder to Athenaeus, from Hippocrates to Nicander, from Plato to Aristotle. It constitutes a tool for additional research while fulfilling the curiosity of those not working directly in the field, an area, that of perfumery, always rich in fascination.
Biblioteca dell'«Archivum Romanicum» - Serie I: Storia, Letteratura, Paleografia, vol. 372
2010, cm. 17 × 24, xxii-282 pp. con 8 tavv. f.t. a colori.
€ 22,00 [ISBN 978 88 222 5983 7]
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Amelio Fara
«L'ARTE VINSE LA NATURA»
Buontalenti e il disegno di architettura da Michelangelo a Guarini

Within the scope of architectural drawing, the ties that bind Michelangelo, Bernardo Buontalenti and Guarino Guarini are primarily structural. Those same ties prompt the need to reread some of Michelangelo’s drawings, to reformulate Buontalenti’s artistic development in light of the influence of Michelangelesque architectural documents in his possession; and, furthermore, to innovatively introduce, within the framework of studies on Guarini, the research on the relationship, never before established, between Teatino and Florence.
Pocket Library of Studies in Art, vol. 38
2010, cm. 15 × 21, viii-148 pp con 70 ill. f.t. di cui 16 a colori.
€ 22,00 [ISBN 978 88 222 5964 6]
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DISEGNI DEL XIX SECOLO DELLA GALLERIA CIVICA D'ARTE MODERNA E CONTEMPORANEA DI TORINO
Fogli scelti dal Gabinetto Disegni e Stampe
A cura di Virginia Bertone

The high quality and beauty of some of the more significant sheets in the collections of 19th century drawings, the lesser known artistic heritage of Turin‚s Modern Art Gallery, can be appreciated now for the first time. These two volumes present the results of a ten-year long scientific study, carried out using innovative methods and technologies, bringing to light the story of the collections and describing the characteristic features of roughly four hundred drawings and watercolours.
2009, cm. 24,5 × 31, 2 tomi di lxxxiv-636 pp. con 553 figure a colori nel testo. Rilegati in seta, raccolti in cofanetto.
€ 120,00 [ISBN 978 88 222 5900 4]
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Massimo De Vico Fallani
IL VERO GIARDINIERE COLTIVA IL TERRENO
Tecniche colturali della tradizione italiana

Supported by the author’s long experience in the field, this book deals with the theme of garden conservation, with special attention to ancient techniques, and particularly those of the Italian tradition. It focuses on the value of man and his craftsmanship, in a concept of garden of man that, through the cultivation methods applied, returns to its origin; a ‘biological’ garden where the binomial man-nature can rediscover its productive identity and mutual benefit.
Giardini e paesaggio, vol. 26
2009, cm. 17 × 24, xvi-178 pp. con 109 fig. n.t. di cui 36 a colori e 13 tavv. f.t. a colori.
€ 19,00 [ISBN 978 88 222 5931 8]
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